Art

Churches up and down the United Kingdom have some remarkable collections of the most exquisitely embroidered clothing which are part of our hidden heritage. Our cathedrals hold in their treasuries some of the most beautiful textile pieces ever produced in Europe and beyond. There is a whole fascinating history to these priestly vestments and how they developed for use in our churches here in Britain and the West of Europe. This book touches on the tradition and mysticism which surrounds church vestments and the role these garments continue to play in the 'theatre' of church, how colour and ornament were and are still used as visual symbols of Christian faith. Sarah Bailey explores both historical and contemporary production of clerical vestments including some of the practicalities of design, the symbolism of colour, the sourcing of fabrics and the embroiderers themselves.

TOC: Introduction /The London Season /Origins and 'rules' /The ritual of court presentation /How to be a debutante /Parties /Famous debutantes /The last debutantes /Index

An updated and modernized edition of the unparalleled classic with resurgent relevance for the twenty-first century

Foxe's Book of Martyrs is one of the most influential and well-known books in history, as well as one of the top-sellers of the past, right up there with the Bible itself. Immensely popular in Foxe's own sixteenth century, its influence has been felt throughout literature. Copies of the original text (Acts and Monuments) were chained beside the Bible in churches of England, and even sailed with English pirates.

This was not a book designed to comfort, but instead to present the truth of the persecution faced by Protestant Christians in hostile environments. The inscription from the 1563 edition--now commonly known as Foxe's Book of Martyrs--indicates the gravity of the task: "[In] latter and perilous days . . . the great persecutions and horrible troubles . . . [are here] gathered and collected according to true copies and writings . . . of the parties themselves that suffered." Foxe was committed to commemorating the ultimate sacrifice of those who gave their lives for the sake of their faith.

Paul L. Maier brings his exceptional mind for history to bear on Foxe's work in this new edition. While abridgement of the original 2,100 pages was necessary, Maier does include every martyr, and text was changed only where modern readers may not readily understand the original archaic wording.

John Foxe (1516-1587) was an academic and zealous student of the Scriptures, leading to his persecution as a Protestant by the Catholic rulers of his day. Beyond his work in pastoral ministry, Foxe continued to work on his martyrology until his death.

Mother of the Lamb tells the remarkable story of a Byzantine image that emerged from the losing side of the Crusades. Called the Virgin of the Passion in the East and Our Lady of Perpetual Help in the West, the icon has expanded beyond its Byzantine origins to become one of the most pervasive images of our time. It boasts multiple major shrines on nearly every continent and is reflected in every epoch of art history since its origin, including modern and contemporary art, and even making an appearance at the Olympics in 2012.

Matthew Milliner first chronicles the story of the icon's creation and emergence in the immediate aftermath of the Third Crusade, whereupon the icon became a surprising emblem of defeat, its own fame expanding in inverse proportion to Christendom's political contraction. Originally born as a Christian response to the Christian violence of the Crusades, it marked the moment when Mary's ministry of suffering love truly began. Having traced the icon's origin and ubiquity, Milliner teases out the painting's theological depth, and continues the story of the icon's evolution and significance from its origins to the present day.

As the story of the icon moves well beyond Byzantine art history, both temporally and thematically, it engages religion, politics, contemporary art, and feminist concerns at once. Always, though, the icon exemplifies dignity in suffering, a lesson that--through this image--Byzantium bequeathed to the wider world. Encapsulating eleven centuries of development of the mourning Mary in Byzantium, the Virgin of the Passion emerges as a commendable icon of humility, a perennial watchword signaling the perils of imagined political glory. The Virgin of the Passion, emblemizing political humility, the powerful agency of women, and the value of inter-Christian and extra-Christian concord, is an exemplary Marian image for the fledgling twenty-first century.