Art

For more than a thousand years, Eastern Christians have used their hands and hearts to create icons, proclaiming God's reality in a visible-and breathtakingly beautiful-way. This ancient art is enjoying a renewed interest in the West, as people of faith create icons and use them to meditate on mysteries for which there are no words.

A Brush with God is a guide to painting icons and using them in prayer. Written with warmth and energy, it describes the history of icons and examines why they've been a spiritual tool for so many centuries. Written from a uniquely Western perspective, the book guides artists-from novices to professionals-through the process of icon painting, using traditional techniques but employing contemporary materials. Included are eight full-color plates of the artist's icons.

An updated and modernized edition of the unparalleled classic with resurgent relevance for the twenty-first century

Foxe's Book of Martyrs is one of the most influential and well-known books in history, as well as one of the top-sellers of the past, right up there with the Bible itself. Immensely popular in Foxe's own sixteenth century, its influence has been felt throughout literature. Copies of the original text (Acts and Monuments) were chained beside the Bible in churches of England, and even sailed with English pirates.

This was not a book designed to comfort, but instead to present the truth of the persecution faced by Protestant Christians in hostile environments. The inscription from the 1563 edition--now commonly known as Foxe's Book of Martyrs--indicates the gravity of the task: "[In] latter and perilous days . . . the great persecutions and horrible troubles . . . [are here] gathered and collected according to true copies and writings . . . of the parties themselves that suffered." Foxe was committed to commemorating the ultimate sacrifice of those who gave their lives for the sake of their faith.

Paul L. Maier brings his exceptional mind for history to bear on Foxe's work in this new edition. While abridgement of the original 2,100 pages was necessary, Maier does include every martyr, and text was changed only where modern readers may not readily understand the original archaic wording.

John Foxe (1516-1587) was an academic and zealous student of the Scriptures, leading to his persecution as a Protestant by the Catholic rulers of his day. Beyond his work in pastoral ministry, Foxe continued to work on his martyrology until his death.

Small enough to fit in a pocket yet serious enough to provide real answers, this primer is a must-have for architecture and history buffs, tourists, and churchgoers interested in decoding the styles and symbols of religious buildings. Every building contains clues embedded in its design that identify not only its architectural style but also who designed it, what kind of congregation it was built for, and why. This practical yet charming handbook is the key to decoding the style, history, evolution, and social significance of religious buildings. Not strictly limited to churches, it also covers abbeys, chapels, and monasteries, among other structures. Organized according to architectural element (windows, domes, arches, etc.), each element is presented in chronological order. Additional chapters explore the architectural influence of geography, history, and various creeds, along with an illustrated timeline showing how, where, and in many cases why certain church features evolved through the centuries. There is also a useful introduction to naming each component of a church, from vaults to buttresses and transepts to apses. All entries are illustrated with period engravings and line drawings. This book will be invaluable for architecture buffs and anyone who has ever wondered why classic New England churches are white with little ornament, why Quaker meetinghouses have no altars, or why Episcopalians traditionally favored the Gothic style.

Bring some sunshine into your home or office with Mary Engelbreit's Today's the Day 2020 Day-to-Day Calendar.

The pages are filled with cheery and colorful illustrations along with positive and inspirational quotes encouraging us to experience the beauty each day holds and reminding us to help those in need, be kind, and love and care for those around us--because that's always the "breit" thing to do.

This lavishly illustrated guide to iconography explains through words and pictures the history, meaning, and purpose of Christian icons as well as the traditional methods that religious painters use to create these luminous, spiritually enlivened works of art.

Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.

Deeply inspiring and utterly unique, The Mystical Language of Icons will inform both those who are familiar with the rich tradition of religious art and those who are not. It also serves as a powerful devotional resource in its own right, one that Christians everywhere can turn to again and again.

Written by one of the world's most eminent and widely respected evangelical theologians, this is the first substantial book by a Christian philosopher to examine the power of pictures in Christian thought--from biblical times to the present. Full of fascinating case studies, this book reflects on the use and abuse of imagery in the Bible, in the history of Christian thought, and in preaching and prayer today. Part One considers key philosophical and aesthetic evaluations of literary images and symbols. The power of pictures is widely appreciated, as in the adage "a picture is worth a thousand words." Sometimes Christian discourse can be smothered by endless prose, which demands much inferential reasoning. There is, however, a contrary argument. An isolated visual representation can be misleading if it is improperly interpreted. For example, some mystical visions are interpreted as direct instructions from the Holy Spirit, as happened with the Radical Reformers, who advocated the Peasants' Revolt. Hence theories of symbol, metaphor, and visual representation must be examined. Part Two discusses visual representation in the Old Testament, the teaching of Jesus, pictures and analogies in Paul, and the Book of Revelation. This shows the range of authentic visual representations. In contrast to biblical material, we find throughout Christian history abundant examples of misleading imagery which is often passed off as Christian. A notorious example is found in the visual representation and metaphors used by Gnostic writers. Almost as bad are some visual representations used by the medieval mystics, Radical Reformers, and extreme charismatics--all of which lack valid criteria of interpretation, relying instead on subjective conviction. Similarly, sermons and prayers today can be enriched with pictorial images, but some can be misleading and unhelpful for the life of the Church.

There are plenty of guides to the saints, but this is the only one that will help you identify the saint that you are looking at.

Taking the 140 most popular and widely represented saints (from the earliest -- the apostles, up to Padre Pio and others from the nineteenth and twentieth centuries) the authors provide brief accounts of the saint's achievements (or legend) and details of their conventional attributes -- usually tools of their trade or the instruments of their martyrdom. Then they provide a clear and unambiguous color representation of the saint, taken from sources the world over, often from popular imagery such as playing cards, inn signs, or advertisements, as well as from high and low art.

Usefully, there is a comprehensive reference index identifing saints by things associated with them -- from anchors (St. Clement) to wounds (St. Roch if in the leg, St. Rita if in the brow). Practical, attractive, and well-informed this little book will be invaluable for students and lovers of art of all ages.