Art

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An updated and modernized edition of the unparalleled classic with resurgent relevance for the twenty-first century

Foxe's Book of Martyrs is one of the most influential and well-known books in history, as well as one of the top-sellers of the past, right up there with the Bible itself. Immensely popular in Foxe's own sixteenth century, its influence has been felt throughout literature. Copies of the original text (Acts and Monuments) were chained beside the Bible in churches of England, and even sailed with English pirates.

This was not a book designed to comfort, but instead to present the truth of the persecution faced by Protestant Christians in hostile environments. The inscription from the 1563 edition--now commonly known as Foxe's Book of Martyrs--indicates the gravity of the task: "[In] latter and perilous days . . . the great persecutions and horrible troubles . . . [are here] gathered and collected according to true copies and writings . . . of the parties themselves that suffered." Foxe was committed to commemorating the ultimate sacrifice of those who gave their lives for the sake of their faith.

Paul L. Maier brings his exceptional mind for history to bear on Foxe's work in this new edition. While abridgement of the original 2,100 pages was necessary, Maier does include every martyr, and text was changed only where modern readers may not readily understand the original archaic wording.

John Foxe (1516-1587) was an academic and zealous student of the Scriptures, leading to his persecution as a Protestant by the Catholic rulers of his day. Beyond his work in pastoral ministry, Foxe continued to work on his martyrology until his death.

Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.

Deeply inspiring and utterly unique, The Mystical Language of Icons will inform both those who are familiar with the rich tradition of religious art and those who are not. It also serves as a powerful devotional resource in its own right, one that Christians everywhere can turn to again and again.

Taking the 140 most popular and widely represented saints (from the earliest -- the apostles, up to Padre Pio and others from the nineteenth and twentieth centuries) the authors provide brief accounts of the saint's achievements (or legend) and details of their conventional attributes -- usually tools of their trade or the instruments of their martyrdom. Then they provide a clear and unambiguous color representation of the saint, taken from sources the world over, often from popular imagery such as playing cards, inn signs, or advertisements, as well as from high and low art.

Usefully, there is a comprehensive reference index identifing saints by things associated with them -- from anchors (St. Clement) to wounds (St. Roch if in the leg, St. Rita if in the brow). Practical, attractive, and well-informed this little book will be invaluable for students and lovers of art of all ages.