Art

It has been over 60 years since the last guide to the care of church linens and textiles was published and despite being used to a greater or lesser degree in every parish church, popular knowledge of their proper use and care is diminishing. Liturgical styles have changed greatly in that time, and there is need for this new updated guide, not only to the care of church linen but also to the use and care of vestments, hangings and other textiles. Part One focuses on altar linen and cloths. It gives advice about how to wash, starch, fold, iron and generally care for the main items used at the altar, as well as briefly describing their use. Part Two focuses on vestments and garments, with detailed advice on cleaning and storage. Part Three is a complete guide to laundering and dry cleaning church textiles, and how to remove common stains. Part Four offers a directory of sources and advice on the storage and disposal of church textiles.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Small enough to fit in a pocket yet serious enough to provide real answers, this primer is a must-have for architecture and history buffs, tourists, and churchgoers interested in decoding the styles and symbols of religious buildings. Every building contains clues embedded in its design that identify not only its architectural style but also who designed it, what kind of congregation it was built for, and why. This practical yet charming handbook is the key to decoding the style, history, evolution, and social significance of religious buildings. Not strictly limited to churches, it also covers abbeys, chapels, and monasteries, among other structures. Organized according to architectural element (windows, domes, arches, etc.), each element is presented in chronological order. Additional chapters explore the architectural influence of geography, history, and various creeds, along with an illustrated timeline showing how, where, and in many cases why certain church features evolved through the centuries. There is also a useful introduction to naming each component of a church, from vaults to buttresses and transepts to apses. All entries are illustrated with period engravings and line drawings. This book will be invaluable for architecture buffs and anyone who has ever wondered why classic New England churches are white with little ornament, why Quaker meetinghouses have no altars, or why Episcopalians traditionally favored the Gothic style.

Full of wisdom, hope, and opportunities for contemplation, this elegant little book features more than 75 classic Christian prayers paired with beautiful illustrations taken from vintage missals and prayer books. Gorgeous representations of holy figures are accompanied by beloved litanies--including the Lord's Prayer, Gloria, Prayer of Saint Francis, and the Apostle's Creed--to recite in moments of celebration or times of need. Presented in an attractive package with gilded edges, a padded cover, and a lovely ribbon marker, this is a keepsake to be treasured by the newly confirmed or baptized and a timeless collection to turn to in all of life's important moments.

Mother of the Lamb tells the remarkable story of a Byzantine image that emerged from the losing side of the Crusades. Called the Virgin of the Passion in the East and Our Lady of Perpetual Help in the West, the icon has expanded beyond its Byzantine origins to become one of the most pervasive images of our time. It boasts multiple major shrines on nearly every continent and is reflected in every epoch of art history since its origin, including modern and contemporary art, and even making an appearance at the Olympics in 2012.

Matthew Milliner first chronicles the story of the icon's creation and emergence in the immediate aftermath of the Third Crusade, whereupon the icon became a surprising emblem of defeat, its own fame expanding in inverse proportion to Christendom's political contraction. Originally born as a Christian response to the Christian violence of the Crusades, it marked the moment when Mary's ministry of suffering love truly began. Having traced the icon's origin and ubiquity, Milliner teases out the painting's theological depth, and continues the story of the icon's evolution and significance from its origins to the present day.

As the story of the icon moves well beyond Byzantine art history, both temporally and thematically, it engages religion, politics, contemporary art, and feminist concerns at once. Always, though, the icon exemplifies dignity in suffering, a lesson that--through this image--Byzantium bequeathed to the wider world. Encapsulating eleven centuries of development of the mourning Mary in Byzantium, the Virgin of the Passion emerges as a commendable icon of humility, a perennial watchword signaling the perils of imagined political glory. The Virgin of the Passion, emblemizing political humility, the powerful agency of women, and the value of inter-Christian and extra-Christian concord, is an exemplary Marian image for the fledgling twenty-first century.

Written in the midst of the iconoclastic controversy of the 8th-9th centuries, these essays affirm the Incarnation and its meaning for icon veneration.

A complete guide to what clergy wear, including the various cloths, a brief history, and theology of each liturgical garment.

Vestments--the robes, stoles or other items worn by clergy, or cloths used at the altar--not only add beauty to a worship service, but are visual clues to the liturgical season and to the tone of a particular service. The most beautiful and meaningful vestments are often those made for a particular priest, serving in a specific sanctuary. But many shy away from trying to sew vestments, which seem too complicated and difficult to make.

In Vestments for All Seasons, Barbara Baumgarten demystifies the making of vestments--from designing and fitting patterns, to fabric and color selection, to putting on the finishing touches. She provides patterns and directions for producing special vestments for Advent and Lent, Easter, and Pentecost, and general instructions for designing and making vestments completely from scratch. A history of the development of vestments from Roman times to the present is included, as well as a full glossary describing the various vestments worn by clergy, bishops, deacons, and choir.